“We’re Americans”: The Gothic in Jordan Peele’s ‘Us’

The Gothic genre has always been concerned with the ‘Other’, a figure who predominantly represents the transgressive, who stands out for being different to hegemonic social and political ideals. At the end of the Victorian period, the fin de siècle Gothic attached this label to the ‘foreign’ figure, most canonically evident in the vampiric Count … Continue reading “We’re Americans”: The Gothic in Jordan Peele’s ‘Us’

Vampires in Romantic Literature

His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never … Continue reading Vampires in Romantic Literature

The ‘‘Bloofer Lady’’ in Bram Stoker’s Dracula: the bloodthirst of a child hunter

Any reader of Bram Stoker’s Dracula (1897) remembers how Lucy Westenra transforms into a vampire after the continuous attacks of  the Count.  Her transformation into the so-called ‘‘bloofer lady’’ emphasises her new existence as an undead creature. Nevertheless, as Leslie Ann Minot examines, the ‘‘bloofer lady’’ has ‘‘received relatively little critical attention compared to the … Continue reading The ‘‘Bloofer Lady’’ in Bram Stoker’s Dracula: the bloodthirst of a child hunter

Dracula and Victorian Concepts of Sexuality

The following post will accompany a special Gothic reading group session to be held on Thursday 2 March at the University of Sheffield, and led by Sophie Barber. If you would like to join us to discuss Dracula, Victorians, and sexuality, email Sheffield Gothic for more details, and remember – we  don’t bite…much! It seems … Continue reading Dracula and Victorian Concepts of Sexuality