Reading Group: Excerpts from Frankenstein

Hopefully, we will have a delightfully dreary evening together, discussing excerpts from Frankenstein tomorrow! 💀 When: 5pm - 6pm BST 💀 In person: Hub 2, Jessop West 💀 Online: https://meet.google.com/fiy-qgoo-aah The chapters we will be taking a closer look at are (numbers might vary depending on your edition): 🫀"It was on a dreary night of … Continue reading Reading Group: Excerpts from Frankenstein

Winter Reading Group Schedule

We hope to see you at some of the reading groups! They take place in a hybrid format and you can join either online or offline. For locations and Google Meets links, sign up to our Newsletter or keep an eye on this blog and our Instagram account, where we let you know the details … Continue reading Winter Reading Group Schedule

A brief overview of Frankenstein; or The Modern Prometheus and its history

The Modern Prometheus or Frankenstein, as it is more generally known as, was a novel written by Mary Shelley in 1818.  In 1816, Mary her husband Percy and Lord Byron set out to have a competition on who could write the best horror story.  After days of planning and thinking, Shelley wrote her novel on … Continue reading A brief overview of Frankenstein; or The Modern Prometheus and its history

The Dead Days: Stories Within Stories

Welcome back to our Dead Days series, where we are revelling in the eerie in-between nature of the year’s end by thinking about ideas of liminality and thresholds in the Gothic. For today’s post, we’re looking at the boundaries which exist within texts: those between narratives, which readers cross over alongside characters. Opening Up The … Continue reading The Dead Days: Stories Within Stories

“We’re Americans”: The Gothic in Jordan Peele’s ‘Us’

The Gothic genre has always been concerned with the ‘Other’, a figure who predominantly represents the transgressive, who stands out for being different to hegemonic social and political ideals. At the end of the Victorian period, the fin de siècle Gothic attached this label to the ‘foreign’ figure, most canonically evident in the vampiric Count … Continue reading “We’re Americans”: The Gothic in Jordan Peele’s ‘Us’